To that end, all students get group practice sessions which are unique only to our academy where they practice each lesson several times and perfect it. Our vision is to bring out perfection in all students. The seven basic taalam group formed by this are Dhurva taalam, Matya taalam, Rupaka taalam, Jhampa taalam, Triputa taalam, Ata taalam, Eka taalam. Gitanjali music and Dance Academy is founded with an objective to impart high quality training in Indian classical art forms including music, dance and instrument playing. Taalam is formed with Laghu, Dhrtam and Anudhrtam. Taalam means the fixed time cycle to a particular composition. It specifies the scale of which notes should figure more, which note should be used more sparingly, which notes may be sung with gamaka, which phrases should be used and avoided and so on. Raagam defines a set of rules for the making of a melody.

Swaram consists of seven notes, 'SA-RI-GA-MA-PA-DA-NI'.Their abbreciations are ShAdja,RIshaba,GAndhara,MAdhyama,PAnchama,DhAivata,NIshada. Swaram refers to a type of musical sound which is a single note. Eventhough there exist an infinite number of sounds falling within a raaga in carnatic music, the number that can be distinguished by auditory perception is twenty two. Shruthi means the musical pitch which is equivalent of tonic in western music. The important elements of carnatic music are Traditional Indian Music: Teachers in the New England Area Carnatic Style Na me Ins trumen t Schoo l Loca tion Phon e Email Annapoorna Venkatraman Voca l Kamakoti School of Carnatic Music Framingham 50 Apa rna Balaji Voca l Abhyaas (978 -362 -2224 apa rs22hotm ail. Venkatamakhin invented and authored the formula for the melakarta system of raga classification in his Sanskrit work, the Chaturdandi Prakasika (1660 AD).Govindacharya is known for expanding the melakarta system into the sampoorna raga scheme – the system that is in common use today. By the 16th and 17th centuries, there was a clear demarcation between Carnatic and Hindustani music.Purandara Dasa, who is known as the father (Pithamahan) of Carnatic Music, formulated the system that is commonly used for the teaching of Carnatic music.

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